Commercial Interior Design puts together a list of six contemporary mosque interiors from around the world, from Copenhagen to Bangladesh.
Here are the seven modern mosque interiors:
1. Al Irsyad Mosque by Urbane
The Irsyad Mosque designed by Urbane is located in West Java, Indonesia. With a capacity to accommodate approximately 1,000 people, the mosque is designed to ‘blend in’ with nature. Surrounded people are able to look out and appreciate the external scenery.
2. Chandgaon Mosque by Kashef Mahboob Chowdhury
The Chandgaon Mosque by Kashef Mahboob Chowdhury is located in Chittagong, Bangladesh. The architect began by identifying the essential elements of a mosque to create a new form and articulation for a typology that goes back for a millennium and a half. The result is this monolithic and spare mosque, pared down to two identical cuboid structures.
The first is the front court, its heavy masonry walls punctuated with low, wide openings onto the surrounding landscape, with a large eyelike opening above. In the second volume, the naturally lit mihrab wall is balanced by an iconic, cut dome. While the apertures give a sense of openness and draw in light and ventilation by day, by night they allow light to shine out of the mosque like a beacon.
3. Islamic Community Centre and Mosque by Henning Larsen Architects
Located in Copenhagen, Denmark, Henning Larsen’s mosque is a combination of Nordic and Islamic styles. The walls and ceiling are pierced by a constellation of windows and skylights that carry light across the interior space.
4. Al Ansar Mosque by FARM
Created in collaboration with KD Architects, the Urbane won an national competition to rejuvenate the aging Al Ansar mosque in Singapore. The key design intent was to improve the accessibility and connectivity of the mosque to the surrounding estates by increasing the visual and physical porosity of the existing building, making it a truly community mosque.
5. Sancaklar Mosque by Emre Arolat Architects
The interior of the Sancaklar mosque located in Istanbul, Turkey is a simple cave-like space, becomes a dramatic and awe inspiring place to pray and be alone with God. The slits and fractures along the Qiblah wall enhances the directionality of the prayer space and allows daylight to filter into the prayer hall.
The project constantly plays off of the tension between man-made and natural. The contrast between the natural stone stairs following the natural slope of the landscape and the thin reinforced concrete slab spanning over 6 meters to form the canopy helps enhance this dual relationship.