Architecture in the Gulf is at an inflection point, where rapid modernisation jostles with centuries of tradition. At the forefront of this dynamic interplay is Babnimnim, an architectural practice celebrated for its daring yet respectful reinterpretations of the region’s heritage. But where does the line blur between innovation and irreverence? And how does Babnimnim navigate these waters while maintaining its creative ethos? This interview with the studio’s Partner and Creative Director, Jassim Alsaddah, unpacks these questions, offering both insights and critiques.
Tradition as a launchpad, not a straitjacket
Babnimnim’s approach to cultural criticism that their designs might challenge or redefine norms is refreshingly diplomatic. “We see the balance between innovation and tradition as an opportunity to enrich cultural landscapes,” hr states, emphasising dialogue and respect for community values.
But is this enough in a region where tradition often functions as a gatekeeper?
The firm’s strategy of incorporating traditional elements into modern designs feels deliberate, almost didactic. It’s as if their buildings are about teaching their audiences how to view history with a contemporary lens. This approach certainly sparks discussion, but it’s worth questioning whether such integration risks diluting the very heritage they aim to celebrate. Can a mashup of past and present truly capture the spirit of a culture, or does it cater more to a globalised aesthetic that’s palatable but less rooted?
A ‘New Gulf Identity’: Vision or branding?
When asked about the notion of representing a ‘new Gulf identity,’ Babnimnim rejects the idea of feeling pressured. Instead, they frame their work as an “opportunity to showcase the Gulf’s rich cultural heritage.” This stance, while admirable, raises questions about whether the firm’s aesthetic is shaping this identity or merely reflecting it.
“Dusting off and reinvigorating traditional elements” is a compelling image, but it also implies a curation process, one that decides which aspects of tradition are worth preserving and which can be left behind. This editing of heritage is not without risks. By prioritising designs that appeal to a global audience, are we inadvertently perpetuating a homogenised version of Middle Eastern architecture?
“We don’t feel pressured to represent Middle Eastern architecture in any predetermined way. Instead, we see our work as an opportunity to showcase the rich cultural heritage and aesthetic beauty of the Gulf region. integrating traditional elements into modern design it not only resonates with local identities but also appeals to a global audience. This approach allows us to contribute to the evolving narrative of a ‘new Gulf identity’ that honours its roots while embracing contemporary influences.”
Jassim Alsaddah, Partner and Creative Director of Babnimnim
The Cosentino collaboration: A marriage of material and philosophy
Babnimnim’s partnership with Cosentino, a leading producer of sustainable surfaces, underscores their commitment to innovation and materiality. “We initially chose to collaborate with Cosentino primarily because of the people factor,” they explain, highlighting the human connection that catalysed the partnership. But beyond the warm and fuzzy origin story lies a deeper alignment of values: sustainability and design integrity.
Cosentino’s surfaces, both a tool and a canvas in Babnimnim’s work, serve as a reminder that architecture is as much about materials as it is about vision. However, creative clashes are inevitable in such high-stakes projects. Alsaddah paints a picture of seamless alignment. Yet, it is often in these tensions that the most innovative breakthroughs occur.
Holding the line: Compromise or vision
Design partnerships often demand compromise, and Alsaddah’s approach to pushback “transparency and open dialogue” seems pragmatic. Yet, one has to wonder how often this ideal plays out in practice. Architecture is a field rife with competing agendas: the client’s vision, the designer’s ethos and the broader cultural context. While Babnimnim finds solutions that respect all parties, the reality may not always be so balanced.
Indeed, staying true to an architectural vision can sometimes mean alienating clients or pushing them beyond their comfort zones. How often does Babnimnim risk these relationships to preserve the integrity of their designs? The question of how Gulf architecture will be remembered, as a story of rapid modernisation or as a nuanced legacy is one Babnimnim tackles with humility.
“We strive to contribute to this evolving narrative,” they state, acknowledging that the longevity of their impact depends on how future generations view their work.”
Jassim Alsaddah, Partner and Creative Director of Babnimnim
The Gulf’s architectural legacy: Rapid or layered?
Babnimnim’s narrative is one of careful balance, a tightrope walk between honouring the past and embracing the future. Their dialogue-driven approach to criticism and collaboration reflects a commendable willingness to engage with differing perspectives. However, in trying to please all stakeholders, is there a risk of losing a definitive architectural voice?
Their collaboration with Cosentino exemplifies their material sensibilities and commitment to sustainability, and under Jassim Alsaddah’s leadership the work is undeniably significant. As they continue to navigate the intricate dynamics of Gulf architecture, one thing is clear: they are not just designing buildings, they are crafting a narrative.